-40%

MARIAN ANDERSON,RCA VICTOR RECORDS,AUGUST 1944 PROMO BOOKLET,SINGERS, RARE!

$ 17.42

Availability: 100 in stock
  • Restocking Fee: No
  • Industry: Phonograph Records, Music
  • Country/Region of Manufacture: United States
  • Condition: small corner crease upper right......vertical bend in middle....o/w f-vf
  • Item must be returned within: 14 Days
  • Refund will be given as: Money Back
  • RCA Victor Records: Black, African-American
  • Original/Reproduction: Original
  • All returns accepted: Returns Accepted
  • Return shipping will be paid by: Buyer

    Description

    16 page booklet, 6" x 8 3/4"
    Front Cover and Sample Pages.
    some not shown complete. scanned on the glass.
    add .50 for 1st class/Insured to U.S....
    Marian Anderson
    From Wikipedia, the free encyclopedia
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    Marian Anderson
    Marian Anderson in 1940, by
    Carl Van Vechten
    Background information
    Born
    February 27, 1897
    Philadelphia, Pennsylvania
    Died
    April 8, 1993 (aged 96)
    Portland, Oregon
    , U.S.
    Genres
    Opera
    Classical
    Spiritual
    Instruments
    Vocals
    Years active
    1925-1965
    Labels
    RCA Victor Red Seal
    Marian Anderson
    (February 27, 1897 – April 8, 1993)
    [1]
    was an American singer of classical music and
    spirituals
    . Music critic
    Alan Blyth
    said: "Her voice was a rich, vibrant
    contralto
    of intrinsic beauty."
    [2]
    She performed in concert and recital in major music venues and with famous orchestras throughout the United States and Europe between 1925 and 1965. Although offered roles with many important European opera companies, Anderson declined, as she had no training in acting. She preferred to perform in concert and recital only. She did, however, perform
    opera
    arias within her concerts and recitals. She made many recordings that reflected her broad performance repertoire, which ranged from concert literature to
    lieder
    to opera to
    traditional American songs
    and
    spirituals
    .
    [2]
    Between 1940 and 1965 the German-American pianist
    Franz Rupp
    was her permanent accompanist.
    [3]
    Anderson became an important figure in the struggle for black artists to overcome racial prejudice in the United States during the mid-twentieth century. In 1939, the
    Daughters of the American Revolution
    (DAR) refused permission for Anderson to sing to an integrated audience in
    Constitution Hall
    in Washington, DC. The incident placed Anderson into the spotlight of the international community on a level unusual for a classical musician. With the aid of First Lady
    Eleanor Roosevelt
    and her husband
    Franklin D. Roosevelt
    , Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the steps of the
    Lincoln Memorial
    in the capital. She sang before an integrated crowd of more than 75,000 people and a radio audience in the millions.
    Anderson continued to break barriers for black artists in the United States, becoming the first black person, American or otherwise, to perform at the
    Metropolitan Opera
    in New York City on January 7, 1955. Her performance as Ulrica in
    Giuseppe Verdi
    's
    Un ballo in maschera
    at the Met was the only time she sang an opera role on stage.
    Anderson worked for several years as a delegate to the
    United Nations Human Rights Committee
    and as a "goodwill ambassadress" for the
    United States Department of State
    , giving concerts all over the world. She participated in the
    civil rights movement
    in the 1960s, singing at the
    March on Washington for Jobs and Freedom
    in 1963. The recipient of numerous awards and honors, Anderson was awarded the
    Presidential Medal of Freedom
    in 1963, the
    Congressional Gold Medal
    in 1977, the
    Kennedy Center Honors
    in 1978, the
    National Medal of Arts
    in 1986, and a
    Grammy Lifetime Achievement Award
    in 1991.